César Correa, improviser of exceptional quality, never falls into the ease, and his performance reveals the piano as also a real percussion instrument.

It’s hard to not fall under the spell of Correa, since he lives his music in a such unusual way. His attitude hypnotizes the audience reinforcing his virtuoso game, abundant in references and communicative energy.  

By instruction, César Correa belongs to the classical world, his music is embedded in it, Frédéric Chopin, Franz Liszt still remain. His ground on Jazz, where he excels, provides him the range of a creative field definitely remarkable.

It’s not rare to hear someone in the public yell: “extraterrestrial!”

César Correa was cradled by peruvian’s folk music: peruvian’s waltz, the marinera, afro-peruvian music and colonial music, all from the coast of Peru. This music from the coast can be divided in 1000 subcategories, which influence and interweave which other. Mostly unknown in Europe, the richness of its rhythms is to be discover with delightment. 

Nowadays, sourced by all those multicultural music experiences, Correa expresses his own  inner face by merging the romantic and baroque classical style with Jazz, marrying this with  peruvian rhythms. Confirming his soloist career, he offers an unprecedented musical interpretation, consequence of the assemblage of his rich and singular artistic knolodge.

César Correa is the ultimate anti-star, despite an unsuspected professional career.